Smith, Children, Cinema and Censorship: from Dracula to the Dead End Kids (London, 2005), 48–52.ħ. Andrew Davies, The Scottish Chicago? From ‘hooligans’ to ‘gangsters’ in inter-war Glasgow, Cultural and Social History, 4 (2007), 511–527 Chibnall and Murphy, Parole overdue, 6–7.Ĩ. John Carter Wood, ‘The third degree’: press reporting, crime fiction and police powers in 1920s Britain, Twentieth Century British History, 21 (2010), 464–485.ĩ. Robert Murphy, Smash and Grab: gangsters in the London underworld 1930–60 (London, 1993), 20–21 Anthony Simkins, Sillitoe, Sir Percy Joseph (1888–1962), Oxford Dictionary of National Biography (Oxford University Press, 2004). Daniel Lang, A reporter at large: menus, nylons, wiping cloths, and abdullahs, New Yorker, 14 July 1945 Stuart Cosgrove, The zoot-suit and style warfare, History Workshop Journal, 18 (1984), 77–91 and, Steve Chibnall, Whistle and zoot: the changing meaning of a suit of clothes, History Workshop Journal, 20 (1985), 56–81.Ħ. Sarah J. In the clogging world new dances are being created and introduced all the time.1. Bill Naughton, Meet the spiv, News Chronicle, 13 September 1945, 2.Ģ. Robert Murphy, Riff-raff: British cinema and the underworld, in: Charles Barr (ed.), All Our Yesterdays: ninety years of British cinema (London, 1986), 286–305 Robert Murphy, Realism and Tinsel: cinema and society in Britain 1939–48 (London, 1989), 146–167 Peter Wollen, Riff-raff realism, Sight and Sound, 8 (1989), 18–22 Andrew Spicer, The emergence of the British tough guy: Stanley Baker, masculinity and the crime thriller, in: Steve Chibnall and Robert Murphy (eds), British Crime Cinema (London, 1999), 81–93 Andrew Spicer, Typical Men: the representation of masculinity in popular British cinema (London, 2003), 126–144.ģ. Steve Chibnall and Robert Murphy, Parole overdue: releasing the British crime film into the critical community, in Steve Chibnall and Robert Murphy (eds), British Crime Cinema (London, 1999), 7.Ĥ. Frank Fraser interviewed by Dick Hobbs, Coupons and Nylons: the underside of VE Day, BBC Radio 4, 11 October 1996.ĥ. cf. One of the best things about today's clogging is that you can do it to so many different kinds of music. There are also plenty of well-known clog routines done to top forty hits of recent decades. Not surprisingly, there are traditional clog dance routines for traditional old American folk tunes. does not require a partner., so it is perfect for individuals – but couples and friends are welcome, too! Clogging is perfect for people who love to dance – you don’t need a dance background to clog Clogging. Clogging is a great activity the entire family can enjoy together. Clogging sure beats jogging!Īnyone and Everyone can clog.Men and women, young and old. It is also a low-impact cardio workout, and you don’t even have to go to the gym! This is a fun and friendly group of people, and newcomers are always welcome to join or watch! P.S. Dancing can improve balance and coordination. There are as many reasons to clog as there are people clogging.Ĭlogging is taught at a variety of skill levels so everyone can learn and enjoy. Wear something comfortable that breathes – you’ll work up a sweat when you clog!Ĭlog because it’s fun! Clog because you like to dance! Clog to meet new people! Clog because you liked “Happy Feet”. Cloggers typically wear tap shoes or double taps (also known as jingle taps or buck taps). wear wooden shoes! (Can you imagine how uncomfortable that would be?).
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